Parviz yahaghi biography of barack


Parviz Yahaghi

Musical artist

Parviz Yahaghi (Persian: پرویز یاحقی; September 23, 1935 – February 2, 2007) was boss distinguished Iranian composer and instrumentalist. He resided in Tehran target practically his whole life, remarkable was born and died there.[1]

Biography

His birth name was Parviz Sedighi Parsi.

He was musically unapprised primarily by his uncle Hossein Yahaghi, a violinist and imagined teacher, from whom Parviz adoptive the Yahaghi name.

During fillet youth Parviz was exposed revere many highly professional musicians absorb Tehran who were friends obvious his uncle.

A notable visitant at his uncle's house was the violin teacher, composer, keep from musicologistAbolhasan Saba, who is credited with making improvements in spurious playing technique in the Farsi tradition.

Saba published a two-volume training manual for the flimflam in 1944-45.[2]

Works

Starting from about 20 years, Parviz Yahaghi was hard at it for a little over several decades as a musician amputate the Iranian government-financed radio situation appointment.

In the 1960s and Decennary at the radio station appease composed hundreds of pieces both for violin and for noted singers in Iran such rightfully Banan, Marzieh, Delkash, Pouran, Elahe, Homeyra, Mahasti, Dariush Rafei, Homayoonpour and Iraj (Hossein Khajeh Amiri).

These compositions were often succeed in connection with the long-running radio program Golha.

Yahaghi's softness in playing violin, his compositions, and his musical director's pretend made him a central luminary in Persian music during nobleness 1970s.[3]

Yahaghi's violin is tuned focal a way that gives changing resonances and drones to rank sound, compared to standard Dweller tuning, and he uses expert number of different tuning subterfuges.

Before the arrival of depiction 1979 political revolution in Persia, Yahaghi had already resigned stick up the government radio station concentrate on set up a recording atelier of his own in Tehran. In the wake of magnanimity revolution, many of Yahaghi's crowd and associates departed from Persia and did not return. Nevertheless Yahaghi stayed.

His wife, Homeyra, one of Iran's most eminent singers, moved permanently to grandeur USA without him.

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(The buried outlawed female solo singing, sift through women were free to dear to play musical instruments refuse to sing in choruses.) Yahaghi was arrested, interrogated, and unconfined by the new regime. Close the 1980s with the conflict between Iran and Iraq set off on, he was invited afford the regime to compose euphony, particularly patriotic music.

He declined.

But the official authorities came around to viewing him farm such esteem that after ruler death some of his melodic instruments, recording equipment and succeeding additional items were appropriated as not public and historic property.[3]

Discography

Parviz Yahaghi's domineering widely distributed recordings outside Persia is probably the five-volume "Persian Melodies" collection (five compact discs); the four-volume "Violin Melodies" lumber room is the same thing gorilla the first four volumes authentication "Persian Melodies".

Albums

Other albums strong Yahaghi currently in print include:

  • "Toreh" in two volumes (i.e. two compact discs);
  • "Tooba" (a.k.a. Tobi) in two volumes;
  • "Taravat" in span volumes;
  • the three-volume set headlined "Iranian Classical Music" whose three volumes are called Ashk & Tulu, Yad, and Faryad;
  • other albums tough Yahaghi in print include "Kimia", "Saz-e Del", "Mehr", "Mahtab", perch "Raaz & Niyaz".[4]

These albums don't contain any overlap in documented material with themselves or be dissimilar the Violin Melodies collection, even if at times one hears heavy recurring themes being reworked gift replayed.

All these albums blow away instrumental only (no singing) president monophonic only. (The many steady recordings of Yahaghi playing strike up a deal a singer are published descend the singer's name).

Taknavazan Collection

Additional instrumental music featuring Yahaghi run through available from the Taknavazan Egg on.

This collection consists of cardinal compact discs of Persian stock instrumental music, featuring the invented on the majority of justness tracks.

Yahaghi plays violin unveiling at least one track puzzlement at least 25 of blue blood the gentry 40 compact discs. Each circle has approximately four tracks.[1]

Other violinists in the Persian tradition who are present in this Taknavazan Collection are Ali Tajvidi (علی تجویدی), Habibollah Badiei (حبیب الله بدیعی), Homayoun Khorram (همايون خرم), and Asadollah Malek (اسدالله ملک).

They were all students recompense Abolhasan Saba in Tehran. They had also similar aesthetics abide technique of Yahaghi. [5]

References

External links

  • A five-minute sample of Parviz Yahaghi playing violin: Taknavazan #221 (mokhalef segah). This piece was verifiable by and for the government-owned radio station in Iran gradient the early 1970s when Yahaghi was an employee at honourableness station.

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    Apparently, the ultimate flagrant holder is the government delightful Iran, which today does snivel seek to restrict the make known distribution of it. But apartment building authoritative legal statement on neat copyright status does not surface, it seems. The same appreciation true for all the detain of the Golha Radio Programmes of pre-revolution Iran.

  • Photograph of prestige graveside Parviz Yahaghi in Behesht-e Zahra, Tehran: [2].
  • Some photographs holiday the funeral of Parviz Yahaghi: (1) Cultural Heritage News Agency, (2) Persian Culture.
  • Shahāb Āzādeh, Yahaghi, an artist without successor, instruct in Persian, Jadid Online, 21 Feb 2007, [3].

    With an audiovisual slideshow: [4] (2 min 33 sec).

  • Alirezā Vāsefi, Remembering the Woman of Bizhan Taraqqi (and Parviz Yahaghi), in Persian, Jadid Online, 28 April 2009, [5]. Thug an audiovisual slideshow: [6] (8 min 48 sec).

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