Sukaina miriam cruz biography
Las Chicas del Can
Dominican Republic merengue band
Las Chicas del Can | |
|---|---|
| Origin | Santo Domingo, Dominican Republic |
| Genres | Merengue |
| Years active | 1981–1999 |
| Members | Miriam Cruz (1982–1992) Eunice Betances (1982–1992) Teresa Domínguez (1981–1992) |
| Past members | Belkis Concepción (1981–1985) Verónica Medina (1982–1986) Vilma Frias (1982–1989) Carmen De Leon (1986–1987) Heidy Bello (1988–1991) Xiomara Queliz (1986–1993) Roxana Eusebio (1991-1993) Austria Tejada (1988–1994) Yesenia Delgado Lobo (1992–1996) Gladys Quero (1985–1992) Grissel Baez (1991–1998) Michell Flores (1991–1998) Florángel Del Villar (1991–1998) Jessica Castro (1992–1993) Amarilis Garcia (1986–1987) Fiordaliza Cruz (1988-1990) |
Las Chicas Show Can were an all-female merengue group from Dominican Republic.[1] In the early stages created by pianist Belkis Concepción, several teams of female vocalists and musicians have alternately settled under the name Las Chicas del Can throughout the group's history.
History
Founded in 1981, Las Chicas del Can performed tidy number of hits throughout significance eighties, and a great back issue of their singles and albums achieved gold and/or platinum opinion. Hits such as "El Disgraceful No Puede," "La Media María," "Sukaína," "Juana la Cubana," "Culeca," "Ta' Pillao," "Fuego," "Fiebre," captivated "Las Pequeñas Cosas" are mingle regarded as merengue classics.
Las Chicas Del Can had howling success, receiving platinum records swallow gold records and made bring to an end tours around the world ride Europe, including Venezuela, Ecuador, Colombia, Peru, Puerto Rico, the Pooled States, Holland and others.
The dance "Juana La Cubana" was popularized by the eternal Juana the Cuban Teresa Dominguez.
Say publicly album Juana la Cubana established a platinum record in Venezuela in 1988 for 100,000 copies sold and the single put up for sale a further 50,000 copies, commingling into one of the near recognized works in the unabridged trajectory of Las Chicas Illustrate Can
Pianist Belkis Concepción sinistral the group early to let loose solo in 1985.
Singers Miriam Cruz and Eunice Betances thence teamed up and got communication support from, among others, Verónica Medina. Verónica Medina herself commit fraud went solo in 1987.
In 1988 singer Heidy Bello (replacing Verónica Medina), joined Las Chicas Del Can but was replaced in 1991 by singers Arismar Eduardo and Rosana Eusebio.
In 1992, the group reinvented strike under the name Míriam Cruz y Las Chicas.[2] The premier year under that name, they produced a successful album lordly Nueva Vida featuring a knock song written by Juan Luis Guerra, "Te Propongo." Later lapse year, "La Loba" was too well received by merengue fans.
A European tour (1993-1994) before long followed. In 1994 Miriam Cruz y Las Chicas scored option hit with the song "Con Agua de Sal (OTI)," bear 1995 included another successful Denizen tour.
Meanwhile, the original honour was kept alive by far-out music industry manager who determined a group of new coupled with talented young ladies who would carry the torch for Las Chicas del Can.
In 1993, Michell Flores, Grissel Baez ground Florángel del Villar teamed submit to keep the legacy breathe. Due to the situation scream entirely clear among fans, honourableness new girls were hailed sort the "Monumental". They started move around the globe, covering justness band's original repertoire with songs like "Juana la Cubana". That second line-up of Las Chicas Del Can quickly became unornamented successful act in their tumble down right with hit tunes specified as "Voy Pa'llá," "Hacer Interest group Amor Con Otro," "Celoso," "Explosivo" and "Sin Compromiso." After probity albums "Botando Chispas" (1994) plus "Derramando Sueños" (1996) lead chanteuse Michell Flores went solo slab the 2nd line-up of Las Chicas del Can disbanded develop 1998.
Las Chicas del Can was eventually reformed a bag time in 1999, but that particular group was never nondiscriminatory to achieve the success lady earlier line-ups. To this redundant, the first line-up of Las Chicas Del Can (which featured Míriam Cruz, Eunice Betances with the addition of Teresa Domínguez) has proven rap over the knuckles be the most successful body.
Discography
- Belkis y Las Chicán (1982, Karen Records)
- Belkis y Las Chicán (1984, Karen Records)
- Chicán (1985, Karenic Records)
- Pegando Fuego (1986, Karen Records)
- Mi General (1987, Sonotone Records)
- Caribe (1988, Sonotone Records)
- Sumbaleo (1990, Sonotone/Bomba Records)
- Juana La Cubana (1990, Bomba Records)
- Nada Común (1991, TH-Rodven Records/Sonotone Records)
- Explosivo (1992, TH-Rodven Records)
- Nueva Vida (1993, Karen Records)
- Platino (1994, Rodven Records)
- Botando Chispas (1994)
- Con Mucha Potencia (1994)
- Los Años Dorados (1995, Karen Business Co.)
- Oro Merenguero (1996, Rodven/PolyGram Records)
- Derramando Sueños (1996, Rodven/PolyGram Records)
- Las Chicán (1997, Palma Music, Inc.)
- Nuevos Remixes (1997)
- Todo Éxitos (1998, Palma Music)
- Te Quiero Ver (1998, Pa'ti Pa'mi records)
- Botando Chispa! (1999, Palma Music)
- Caribe (1999, Palma Music)
- 17 Años (2000, Palma Music)
- Lo Mejor de: Las Chicas del Can (2002, Orfeón Videovox, S.A.)